A four-metre-high monolith of layered, recycled rusting steel looks to have been made by immense forces of nature. From the front, the torn edges of the two dislocated forms describe the shape of the Parramatta River from source to sea, widening as it moves vertically through a geology of sedimentary layers representing deep time.
The giant textured slabs are tilted back and forth like the shifting tectonic plates that reshaped the eastern seaboard 60 million years ago. Moving around the sculpture, the space between these forms’ shifts, alluding to the fluidity of ecological change – from daily tidal shifts to vast movements in geology and climate.
This work pays homage to the extraordinary history and life of a river that flows today and acknowledging its crucial role in sustaining humanity over 60,000 years. Some 20,000 years ago First Australians witnessed a time of life when Sydney Harbour did not exist, and the Parramatta River flowed unimpeded through its valley to a shore many kilometres east of the current coastline.
A fine atomising mist billowing around the base of the sculpture alludes to the primordial – a time when the river carved out geologies, shifted by immense geomorphic forces. Referencing a phrase commonly used in maps and directories, You Are Here, prompts viewers to reflect on their impact to local ecologies in a rapidly deteriorating natural world and what we can do about it in our time, while we are here.
Juan Pablo Pinto and Lachy Brown, Cave Urban, 2023.